New form with wings, new form like seashell, feeling very creative in Spring!
My porcelain works are designed to look graceful and minimalist, they conjure a feeling of lightness and a sense of movement. The signature mesmerizing patterns mimic the vivid diversity of nature, but are not painted on. Using Nerikomi method, the patterns are meticulously prepared by repeated cutting and layering of porcelain sheets. My hands-on approach ensures every pattern is unique and unrepeatable. The works are both functional and decorative: timeless objects to behold and use.
Nerikomi pattern blocks have been rested for 3 months, it is time to start using them.
New patterns new form, to hand build and see my paper pattern design works out well, in porcelain, is most satisfying.
Now, have to wait and see how this form shrinks/warps/cracks during drying and firing stages.
Very pleased to be invited to write for Potter's Secrets in Ceremic Review 326. The third time I contributed to this magazine.
Just launched in the USA, a book about the history and application of nerikomi technique in ceramics. I am honoured to be 1 of 26 artists, worldwide, included in the book.
From the auther of the book, Thomas Hoadley: Your work is unique in the world of Nerikomi.
Available from Bloomsbury, Barnes & Noble and Amazon.
This is a form I thought of years ago in order to hand build a slightly bigger porcelain nerikomi vessel, that still uses very thin sheets of porcelain.
Fun to put my first collection of nerikomi works next to this season’s vessels. At that time, I won’t believe I could make tall/large work using my pure porcelain nerikomi method, very pleased to see the challenge tackled.